Arts

Today we feature a Q and A with 2020 Rowan Music Education graduate Mike Massaro, the middle school band director at Kingsway Regional Middle School and coach for the Rowan Youth Jazz Orchestra. Music is a passion of Mike’s, and it all started for him at an early age. He talks about the journey he has been on with the art, his teaching position and the importance of learning music.

Where did your passion for music stem from?

I can think back through my life of how I got progressively more involved with music, but it all started back when I was a little kid. When my grandmother would be driving me in her car, I’d be in the backseat. And she put in this cassette tape. The first track on it was “What a Wonderful World” by Louis Armstrong, and I would sing along in the back and I’d hum along.

I always knew that I liked music a lot. As I got older, eventually I joined band when I was in elementary school, got in the jazz band when I was in middle school.

But it was really when I got into the high school jazz band and my high school band director believed in me a lot, that I knew that this was something that I wanted to spend a life in.

What was the exact moment that you were like, this is what I want to do for my life?

The moment that I realized I wanted to go into music was actually the moment that music had gotten taken away from me. When I was a sophomore in high school, I always used to come right home from school, and I’d go up to my room and I’d practice trumpet right away.

One time that winter break, I was hanging out with a bunch of my friends and we were just being silly sophomores in high school, throwing stuff around the basement. I got hit in the face by a toy and my lip busted, which is not good for trumpet players. I couldn’t play trumpet for about a month or two. So, I would come home and in that time where I previously used to practice, I would just go up and sit, and just keep an icepack on my face, and not do anything. And it was boring. It wasn’t fun, it was depressing.

I realized, if this is what my life is without music, why would I go into anything but music?

Why did you choose Rowan for music?

There were a lot of factors that went into me choosing Rowan for music, but ultimately what it came down to was the professors that I knew I would be studying under, and the individual attention that I knew I’d be receiving.

I can tell, looking at Rowan, that every single professor truly cares about every single student that is involved in their program. Through my time learning with all these professors, I was able to get to know them all so personally, and so closely. Looking at myself now as a teacher, I’m able to look at anything I do and pick apart almost sort of where I got that from, which professor kind of instilled that in me and how it’s grown ever since that.

You knew that you wanted to continue with music, but when did you decide that you wanted to teach it?

So for me, I realized I wanted to go into music in a very finite moment. However, realizing that I wanted to teach music was more of a progressive thing.

It was probably around my junior year in high school, I had gotten a lot more opportunities to teach other students. I was running sectionals, I was just getting to work with a lot of younger students, and I started to really like that feeling of knowing that somebody was getting better at music because of something that I was able to share with them.

I started to fall in love with that feeling so much. I realized it was really what was keeping me going. It was my big spark in life and I knew that I wanted to live with that for the rest of my life.

Can you talk a little bit more about the relationships that you have with the students and the inspiration that their growth brings?

Sure. I believe in all of my students, I believe any one of them can truly achieve what they want to, especially in music. I can look at all of them and see so much of my past self and see so much of my past friends from when I was in their shoes. But I can also see so much new in all of them. There’s so many new ideas that they all bring to the table, so many new things that they want to try, and new things that they’re able to accomplish.

Every student is at a different level. I don’t expect all of my students to achieve the same things. We all start at different levels and we all end at different levels. But ultimately, what my relationship with my students is based off of is progress, and seeing that we’re all able to grow together at the same time.

Music education seems to be one of the first programs that always gets cut. Why do you believe music education is vital to help students build on their skill set?

To anybody that’s asking why music should be in schools, why is music education important? I ask the question, what would your life be without music? it’s something that surrounds us everywhere that we go. We’re in the car, we’re in the store, we go to concerts, we can hear these birds around me right now. Any sound can be considered music.

I think establishing a relationship with that art is one of the most important things that any young student can experience, because it truly exposes them to the world that is around them in a more personal and connected way than, in my opinion, any other field that is out there.

Can you kind of talk about how music can additionally teach kids math and language?

I definitely believe that music is a universal language. It encompasses so many of the other fundamental skills that we see. Math, rhythms are all math. Everyday pitches are all math, and in that same realm of math, it’s all science. Everything that we do is based around physics, It’s all based around acoustics.

In terms of language arts, English, literature and any other language you could possibly dream of, everything that we do is storytelling. It’s all based and structured around the same types of forms that we see in literature and stories. And, I mean if we’re talking history music has such a diverse and extensive and beautiful history throughout all of mankind. It truly does bring every single subject into play all at once, and you can take moments to isolate down and work with those specific subjects.

Whenever it comes to like the band, the orchestra, the jazz band, everybody has to be on the same page or the music fails. How is each individual person important, no matter if they’re the first chair with a big solo, or they’re the last chair?

Ultimately, our job as musicians in an ensemble has to pay respect to the original work that was written, that was composed. That composer wrote that work for a very specific purpose, for a very specific reason. Every single member of our team matters when it comes to making sure that reason can come to life. Whether it’s some situation where there’s one student on a part, like there is in a jazz ensemble, or there’s many students on a part, like there is in a wind ensemble. Every student matters, because again, we’re trying to pay respect to these words.

Ultimately, the melody doesn’t mean anything without the harmony. The harmony doesn’t mean anything without the melody. The drumbeat doesn’t mean anything without the melody and the harmony. It takes every single student to really create the story that we are trying to tell in there. And if you look at an activity like marching band, there’s nowhere to hide on the field. Every single student has a role. There is no bench, all of our students are on 100% of the time.

As a music education teacher, how do you keep everybody engaged evenly?

When it comes to keeping all of the students in the room engaged all the time, I’m constantly asking myself what their skill set is in three different perspectives. I’m looking at the individual skill sets, the skill sets of their sections. Like the trumpets, the alto sax is the percussion section, and then the skill set of the full ensemble.

I think the hardest part about being a band director is finding the balance between managing those three skill sets increasing all at once. ‘m constantly asking myself, is this challenge enough for this student? Is it too much? I want to push the bar for everybody individually, just how I can at the right pace.

The same goes for their sections, they grow together through their sections and ultimately ensemble goes together. So, I’m constantly listening and assessing their growth on those three levels. 

What do you feel is the importance of having somebody to guide the students? What was the importance for you to have professors that show you the way and sparks your love for music?

I tell my students all the time, the most important thing that I could ever teach them is how to teach themselves. I always want to be there to give them the material that they need when they are ready for it. And when they are ready to take those next steps, I will push them to do it. But ultimately, I’m not the one playing the instruments. That’s them. I’m not the one sitting in the group playing that is that is them.

I want to constantly be giving them the skills that they need to take any inspiration in any musical knowledge that they can, and use it to make themselves be the best version of themselves that they can.

You touched on this earlier, but could you dive deeper on the overall experience that you’ve got with your professors and how they’ve shaped you as a musician?

One of the most important interactions that I had with a professor when I was at Rowan, was with one of my professors who was actually a middle school band director at a local middle school. This was the day that I realized I wanted to teach middle school.

I went out there on one of my practicums, which was through the ED major, and I saw what he was doing with his students and the level that they were performing. I was completely unaware that middle schoolers can perform at that level. That was the moment where I said, I want to be able to do this.

I was able to talk with this professor for a while afterwards and he talked to me about being a musician, being a teacher, and how important it is to teach to my own musicianship. Everything that I learned in my ensembles, at Rowan, whether it was in jazz band with Denis [DiBlasio], wind ensemble with Dr. Higgins, or my trumpet lessons with with Brian [Appleby-Wineberg], no matter what it was that I learned, these were all things that built my musicianship up.

Ultimately, as a teacher, I’m constantly teaching to what I know. As a musician, I’m constantly pulling from those experiences. So, how did my experiences at Rowan shape myself as a teacher? They built my musicianship. They made me who I was, as a musician. They exposed me to so many different situations and types of music and opportunities, that I was able to take all these things, and now share them with my students who can now evolve on them themselves, teaching to my musicianship.

What is the importance of being able to teach music for grades K-12?

Like I said earlier, music is universal. I think in music, having experience teaching every single grade level can only be beneficial for you. One of the time periods of my most intense growth was during my student teaching, when I was actually teaching kindergarten. I taught K through five general music and it was so much fun. I learned so much more about the teaching process in that time period, through working with kindergarteners, first graders, and second graders. Seeing how they received information and seeing how important structure was.

Music is cool in the fact that from the time we’re young, when we first experience it, and we’re in our music classes in kindergarten, second grade, and all that stuff, we’re working on what is essentially the same set of fundamentals from then all the way up to the professional level. The only thing that changes is the amount of it that we’re able to receive. And of course, yes, concepts become more and more advanced as you get older, but I perceive that as the amount of information that we’re able to receive. Being able to teach at the younger levels and at the older levels is incredibly beneficial, because seeing how people learn and how they receive this information really helps establish what comes next.

What is your role in youth jazz? How did you get involved?

I am the coach for the Rowan Youth Jazz Orchestra. This is a brand new program that is being offered through the Rowan Community Music School, to middle school and high school aged students. I got involved through this shortly after I graduated, I got a call from my former student teaching supervisor who had become the head of the Rowan Community Music School, the director of the school. She called me asking if I would want to hop on board with this new group. I said, Absolutely. We did a semester through Zoom and then we just finished our first full year of in person ensemble rehearsals and performances this year. It’s so fun being able to work alongside Skip Spratt, who is just an absolute amazing educator and musician overall, learning so much from it. I’m glad that I’m able to learn and teach these things at the same time.

How do you find a balance between your teaching and your musicianship?

Finding the balance between the teacher side of things, and the musician side of things can be very difficult at times. But again, I always do everything I can to not compromise the music and exchange for the things that come on the teacher side of things such as, the procedures, the logistics, the discipline.

I make sure that my students know my expectations as early and as upfront as possible, so that we can get right into the music as quickly and as efficiently as we possibly can. The more that side of things is running, the easier it can be for all of us to just experience what we want to get out of the music that is in front of us.

We know that middle schoolers obviously have a shorter attention span. How do you kind of deal with the different environment of middle school compared to college, where you are just coming from?

In college, the music that we’re performing and practicing and playing is consistently at the highest level that is available. In middle school, for most of the students, that is their first time really getting to experience music in this capacity. I often have to take a step back a lot of times and remind myself that it is the first time for the students going through this and that they can’t be expected to know all of these high-level concepts, or even sometimes, just know what to do in any given situation.

That is my job as an educator, to teach them what to do in these situations. So for me, I have to go back to square one and ask myself if I was in their chair, what would the next thing I would need to accomplish be? And then from there, I step into teacher mode and say, how can I help these students accomplish this next step?

Being there for their sort of first interaction with music, have you had that opportunity where you see a spark for the love of music in a student’s eyes? If you have what does that feel like?

Yeah. So for most schools, our pay days on the 15th, and the 30th. That’s cool and all, but for me, the real pay day is when students have those moments of those big realizations. Those, oh that’s it type of moments when they really get something and it’s clear that it locks in, and they actually understand it. That is my pay day. That is when I really understand and that’s when I really feel the reward of what I’m working for. When the students get to experience and when they take that next step, and when they really love what they’re doing. 

How do you describe Rowan for someone to come here to further their music education?

The beautiful thing about majoring in Music Education at Rowan is that you’re going to be constantly surrounded by professors who care about you. Like I was talking about earlier, every single professor that I had believed in me and was patient with me through my learning process, and gave me the tools that I needed to figure it out and to succeed on my own. I had such a different college experience than a lot of my friends. We were all looking for different things. But whatever it was that we were looking for, our professors were able to help us achieve that and find that and live that.

So for any student that is looking into Rowan, no matter what it is that you want to accomplish with your time in college, these professors in this department is there for you to make sure that can happen.

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Story by:
Jada Johnson, political science major

Photography by:
Brian Seay, senior sports communication and media, radio/TV/film major